03 April 2014

Planning to Start Taking Western or Dressage Riding Lessons?


Western and English riding lessons tend to be expensive--financially, emotionally, and physically--so my first recommendation is to be absolutely certain you have a suitable instructor. That means finding a person who is not only knowledgeable but focused on rider safety. My ideal first instructor has a calm, trusted longe horse confirmed in all three basic gaits. Group lessons and/or individual lessons may work well for intermediate riders, but a true beginner is better off not having to worry about guiding a horse while struggling to develop a solid, independent seat. Finding someone who can provide even a month or two of longe lessons gets a neophyte rider off to a stronger, less stressful start. 

The oldest student I started was a PhD psychologist who took his first riding lesson when he was 65. He moved away after only a few months on the longe, but he was already confidently using the reins and walking and trotting my longe mare with me acting only as a fail-safe at the end of the longe line. While fairly rare in the US, the Spanish Riding School still puts riders on the longe for many months, and even US Olympic riders often take regular longe lessons. A skilled instructor with a sharp eye can stop problems from becoming hard-to-break bad habits.   

As a person who taught herself the basics on a green horse and who fifty some years on still suffers from some seat faults because of that, I put choosing the right instructor at the top of my list. Again, it's impossible to underestimate the potentially devastating effects of even small seat faults.
Given the importance of a correct and independent seat, knowing how to interview and select a potential riding instructor then becomes perhaps the largest obstacle in learning to ride correctly and safely. 

Luckily, reading some good books on teaching riding can help avoid choosing an unsuitable instructor. First on my list is Jan Dawson's Teaching Safe Horsemanship. She provides advice invaluable for instructors, advice that can also serve as a template for the beginner to use as a checklist to rate prospective instructors. If an instructor doesn't follow most of her advice, I would look elsewhere. Of course, there will be some divergence. I, for example, teach my horses and students to be comfortable working from either the right or left sides. Leading and mounting from the left side is however European tradition dating back to the time men wore swords, so I warn students to expect most other horses to be used to left handling only. However, those who want to ride a horse in Japan will find horses there are worked from the right side because ancient Japanese warriors wore their swords on their backs. Sometimes knowing trivia can prevent problems.

Reading's a good way to pick up both trivia and general principles. Good and great books on equitation abound, so picking the few to start off can be a challenge. Ericka Prockl's Learning to Ride As an Adult: A New Training Method for First-Time Riders could be a good place to start since an actual horse isn't necessary. Her book and an exercise ball can start the horseless student toward a correct, secure seat. Exercise balls give an essential feel--and one can easily watch TV or videos while sitting on one! If available, a mechanical horse is also a wonderful tool. I wish I could afford one, but they're usually found only in big riding centers. They're the ultimate in safety and convenience. Three keywords--mechanical horse simulator--bring up some great videos on  YouTube.

One of my favorite riding masters teaches by starting her students on a mechanical horse she helped design. I've given copies of Heather Moffett's Enlightened Equitation: Riding in True Harmony with Your Horse to several of my students. Moffett, while a fully certified British Horse Society instructor, goes beyond their theory and may be considered a bit of a renegade by some because she touts the pelham bit over the snaffle for most riders. While I tout bitless over bit, both of us have the same reasoning--the comfort and posture of the horse as well as the safety of the rider.

Moffett's Facebook page also serves as a wonderful discussion forum, as does that of another English riding master: Sylvia Loch & The Classical Riding Club. I've found the discussions on these two sites to be extremely high quality. In fact, some absolutely top level authorities, including Olympic riders post in these forums. Another Internet resource I use is YouTube. By sheer accident, I found Warwick Schiller there. I recommend pretty much all of his videos because he uses the least force of any reining horse trainer I've ever seen and he starts his horses bridleless. For a sample, I recommend "Bits for Bolting Horses"  and "Teaching Collection to People."

One of the few horsemen I've met with a real sense of humor, Schiller's also a keen observer of people as well as horses and a clear interpreter of the theories of the inimitable but often opaque western horseman Tom Dorrance.  For sheer fun, I also recommend his "Harlem Shake with Horses." He also has DVDs and a subscription video service that's heavy on hows and whys rather than the promotion of a line of gear. 

As to books, dozens of great books on equitation exist. For a short list, I'll recommend  a few. Mary Wanless's Ride with Your Mind Essentials: Innovative  Learning Strategies for Basic Riding Skills offers a straightforward, well illustrated overview. Wanless also talks about breathing, a powerful riding tool and something most masters of the past likely used without any conscious awareness. For those wanting more detail on, I'll slight Seunig and a number of other 20th C. German masters whose books have helped me and mention Wilhelm Mueseler's Riding Logic instead. Although Mueseler was not a classically trained rider, his Riding Logic provides a clear and relatively brief introduction to the intricate world of German riding theory. For an even better one volume work on classical riding, The Complete Training of Horse and Rider by Alois Podhajsky of the Spanish Riding School still tops my list.  

Podhajsky's my hero. Although I haven't cracked _Complete Training_ in years, I reread his My Horses, My Teachers not that long ago and realized how profoundly it had affected how I work with horses. It did not teach me to ride, but it taught me the fundamentals of how to train horses--no force, lots of analysis, lots of reward. Podhajsky and my first difficult horse convinced me to stop riding with a snaffle. My students spend their first year or two riding bitless. When they're advanced enough to graduate to a snaffle, I often hear them say, "Why?" 

For many pleasure riders, bitless provides all they need. So far, not much is published on riding bitless, and even some experienced riders don't know how severe some bitless rigs are. Right now, most information on bitless riding comes instructors and the Internet. Aside from natural horsemen like Schiller and Pat Parelli who demonstrate their methods, few other widely available resources exist. Facebook has bitless forums. Web sites such as LightRider Bitless Bridles exist. Hmmm. I may have to write a book on bitless work.

Good luck learning to ride!

13 February 2014

Another Tiny Bit of Good Racing News


I've long appreciated John Shirreff's training methods and general attitude toward the race horses in his stable, so this was good but unexpected news:

"Eblouissante Benefits from Dressage Training"


01 February 2014

"St Nicholas Abbey's Brave Battle"


Steve Haskin's blog at Bloodhorse.com detailed the struggles of St. Nicholas Abbey. As I'd suspected, the horse was utterly kind and possessed of a high pain tolerance, among a species known for high pain tolerances. I'm not a huge racing fan, but this horse's expression in a couple of still photos captured my attention so I've followed the story, hoping for a miracle. Alas, from Haskin's article, the horse's stoicism--we'd say valor--apparently contributed to his ultimate demise.

St Nicholas Abbey's Brave Battle


14 January 2014

30 December 2013

Sometimes People Are OK Animals


After being sickened by so many sad stories, I find it nice to find one where people act in a decent fashion:

Cost of Freedom on His Way to Retirement


24 December 2013

"Adios, Invasor"



This morning, I read this on one of the sites I frequent:  http://www.eurodressage.com/equestrian/2013/12/24/rafael-sotos-invasor-passed-away

The death of the great Andalusian stallion Invasor shows the power of the Internet.  Tribute videos are already popping up on YouTube. Of course, many great videos were already up. In fact, just yesterday, I rewatched Invasor's retirement ceremony on YouTube and wondered if the old fellow was still with us.

I show friends, riders, anyone who'll hold still videos of Invasor. Soto's seat no longer causes me to cringe. It's far from pretty, but the relaxation of one's horse is the best endorsement a rider can get.
I will always remember this stallion's utter calm, ears loose but attentive, while performing a passage well beyond exceptional.

Grand old horse. One I'll remember.


22 December 2013

My Auntie Mame Moment




The late 19th C. Sears catalog ad above shows a ladies' saddle with a "leaping horn." The old style, one-horned side saddle allowed European and American "ladies" to walk and even canter along slowly on highly trained "ladies" horses, but the Victorians revolutionized riding for "ladies" by installing a second horn beneath the standard one. Equipped with two-horned side saddle, equestriennes could now not only gallop at speed and join men in the hunt fields. They could even, if the were high arousal sorts aka adrenalin junkies, jump fences, BIG fences. How big? The 1915 photo below shows Esther Stace with a lovely light hand on the reins clearing six foot six inches. Before the mid-19th C., side saddles limited riding for women to staid, sedate gaits. Now, suddenly the sky was the limit.


 I found these new, improved side saddles fascinating, So back in the early 70s, I bought an old, single horn sidesaddle and rebuilt it. Adding the "leaping" horn proved easier than I expected. Although I needed some help from a smithy to install the hardware, I was most pleased with myself and, after finishing, I put it on my mare and rode around the big barn at Fort Leavenworth. Once.

By the time I got back to the main door, I was terrified. Nothing happened. In fact, my mare accepted the new saddle without question, walking calmly the whole time. One loop around the barn shook me because, after only a few steps, I fully realized WHY women like Esther Stace could do what they were doing. I felt STUCK on top of my horse, STUCK as in TRAPPED.

I felt like Auntie Mame in the eponymous 1958 movie.  I wonder how many people who watch this wonderful old movie understand the scene where Auntie Mame, having lied about being a crack rider, tries to get out of going fox hunting in the South by telling her hosts she only rides side saddle. The hosts obligingly haul a side saddle out of the attic and Mame takes her first ride ever on a crabby, bolting gelding in an open hunt field. Instead of being humiliated, Mame arouses awe in her hosts. Having no knowledge of the biomechanics of riding aside, they interpret her upright, rigid terror as a fine seat and her screaming as enthusiastic Rebel yells. For me, it's the funniest scene in a funny movie.  

It's hard enough to get on a modern side saddle without help from a ground crew. Dismounting alone can reach something close to Mission Impossible status, especially if the rider lacks total relaxation. Stiffen up a bit and the rider's legs clamp her onto her saddle. In other words, falling off becomes harder than staying on. It's easy to fall off the old sidesaddle that just drapes a rider's leg over the top and lets the other leg swing free, but that second horn, the Victorian improvement, lets a rider wedge a leg in place between stirrup and leaping horn.

Even without a stirrup shortened to a jumping length, I felt utterly trapped and helpless. As quickly as I could, I eased my right leg over to an astride position, freed my left leg from the leaping horn side, and slithered off with a total lack of grace. My feet hitting the ground never left better.

For the first time, I understood the criticism that met the leaping horn when it showed up in the hunt fields of England in the mid-1800s. Critics argued women whose horses fell in the hunt field would be seriously injured, even killed. I've never heard of predicted disasters happening although I'm sure many injuries occurred since "lady-like" women gained the ability to gallop and jump their horses. Of course, most side saddle enthusiasts were and are more athletic than I.

I unsaddled my mare and packed my newly rebuilt side saddle in my car. During the short drive home, I happily realized I was simply not athletic enough for "lady-like" riding. Once home, I immediately listed the saddle for sale. It sold in days.  The young woman who bought that saddle reported she found the saddle "thrilling."

Of course, she found it thrilling. She was, like many top women riders, a recognizable type-- amazonian adrenalin junkie. This fits most of the side saddle riders I've known. The first one I met was a daredevil foxhunter who'd come to find galloping across country astride a bit too sedate--"boring." Sidesaddle fox hunting put a bit of zip back into her sport.

Since then, I've crossed paths with only a couple of side saddle riders and those women rode in the show ring on the flat. I'm not sure they fall into the same class as the side saddle fox hunter "ladies." Consequently, I'm happy to know there's apparently The Side Saddle Revival.

Considering the number of adrenalin junkies in the world, I'm not surprised about the revival. I'm in total awe of those nice "lady-like" sidesaddle riders, the ones with bigger balls than most sky-divers.

I hilltopped a few times, but if anyone ever asks me to join a hunt field side saddle--or astride--I not afraid to just say no. Watching a rerun of Auntie Mame is close enough for me.

More great photos of side saddle riding here: http://sidesaddleciara.com/tag/jonah-wragg/